A very belated thought on “The King’s Speech”

Tonight’s 1 a.m. revelation: Contains SPOILERS, though, admittedly SPOILERS for a very predictable film.

When Albert aka King George VI (Colin Firth) gives his climactic speech calling for resistance to Hitlerism to a live radio audience, Beethoven’s 7th Symphony plays non-diegetically .

So, to be clear: The great triumph for the avatar of the English people and in its greatest moment of existential peril at the hands of the Third Reich–is accompanied by the strains of a German composer.

I think Mr. Hooper sent a mixed message he didn’t intend to.

Monday Morning Surrealism

Riffing off last week’s commemoration:

The body’s apprehension of music

The ear and the brain–specifically, the hypothalamus–are not the only parties involved. For some people, the skin is an active participant in appreciating music:

Some of us get the chills when hearing Handel’s exultant “Messiah” this time of year. For others, it’s the simple, yet joyful opening strains of Vince Guaraldi’s music at the start of “A Charlie Brown Christmas.” Or it might be Bing Crosby’s poignant “I’ll Be Home for Christmas” that triggers goose bumps. (Or for the sillier of us, his whimsical “Mele Kalikimaka” might just do it.)Well, it turns out that getting chills upon hearing music is an actual thing, you know, like scientists study. And a new report in the journal Social Psychology and Personality Science says that who gets music-induced chills and who doesn’t might depend on personality.

Musical chills, write the authors, from the University of North Carolina, are “sometimes known as aesthetic chills, thrills, shivers, frisson, and even skin orgasms [who knew?] … and involve a seconds-long feeling of goose bumps, tingling, and shivers, usually on the scalp, the back of the neck, and the spine, but occasionally across most of the body.”

The scientific explanation for chills is that the emotions evoked by beautiful or meaningful music stimulate the part of the brain called the hypothalamus, which controls primal drives such as hunger, sex and rage and also involuntary responses like blushing and goosebumps. When the song soars, your body can’t help but shiver.

Some people report lots of skin orgasms and some people say they never get them, but the personality trait “openness to experience” seems like a good predictor. (By “open to experience” the researchers seem to mean those people who enjoy art, good movies, aesthetic stuff.)

That’s what the North Carolina researchers wanted to test. So they took 196 people and assessed their music preferences; how often they experienced chills, goose bumps, hair standing on end and the like; their engagement with music (such as whether they played an instrument); and their personality types. The only personality trait with a significant impact on music-induced chills was indeed “openness.”

Genre, the style of music people listened to, didn’t seem to matter, though a deeper engagement with music in general did. So “Messiah,” Irving Berlin’s “White Christmas,” and your child’s rendition of “Oh Christmas Tree” might all give chills (though your kid’s singing might just be scary) if you’re the open type.

“I met the Walrus”

Below is the Oscar-nominated short I Met the Walrus, which illustrates a five-minute fragment of then-teenaged Jerry Levitan’s 40-minute interview with John Lennon:   

What most impresses me about Lennon is his internalization of an insight of profound temperamental conservatism, viz. the difficulty of building and sustaining institutions of utility:

The militant revolutionaries–ask them to show you one revolution that turned out to be what it promised. Take Russia, France, anyplace that had a [revolution]. What you do is you smash the place down and we build it up again and the people who build it up hang onto it, and then they become the establishment.  And you guys are going to be the establishment in a few years. It’s not worth knocking it down, because it’s convenient to have the rooms and the machinery.

The thing is to protest, but protest nonviolently, because violence begets violence, you know? And if you run around wild you’ll get smacked and that’s it, you know, those are the laws of the universe. And they’ve got all the weapons, they’ve got all the money, and they know how to fight violence because they’ve been doing it for thousands of years oppressing us. And the only thing they don’t know about is nonviolence, and humor.   

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